You the doormat, then?

I really do believe that embedded in a mistake is the next new idea, which is to me a metaphor for life and for death. That thing that kills a piece will grant life to another body of work. And the longer you live, the closer you come to dying, and the more you have to keep generating new ideas and new reasons to be here, to be useful, to be important, to be a living being.

If you wake up in the morning and you feel very happy—about nothing, no cause—that’s what I paint about. The subtle emotions that we feel, without cause, in this world.

A lot of my work has been about the unexpected; kind of wanting to be the heroine and, yet, wanting to kill the heroine at the same time.

I’m frightened all the time. But I never let it stop me. Never!

We can’t take each other for granted.

FÉMININ/FÉMININ
Episode 3, « Steph & Sam »

Complete union.

«Yo solía pensar que era la persona más extraña en el mundo, pero luego pensé, hay mucha gente así en el mundo, tiene que haber alguien como yo, que se sienta bizarra y dañada de la misma forma en que yo me siento. Me la imagino, e imagino que ella también debe estar por ahí pensando en mí. Bueno, yo espero que si tú estás por ahí y lees esto sepas que, sí, es verdad, yo estoy aquí, soy tan extraña como tú.»

I’m just as strange as you.

Well…Simone was really…a good cat.

Well…Simone was really…a good cat.

FÉMININ/FÉMININ

Episode 4, « Noémie »